Category: Fashion Shows
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Selkie Spring/ Summer 2027: When the Apocalypse Becomes a Circus
Selkie has never been particularly interested in quiet fashion. Founded by Kimberley Gordon, the eight-year-old womenswear label has built its identity around romantic dresses, exaggerated femininity and an unapologetically fantastical view of dressing. For Spring/ Summer 2027, however, Gordon took that fantasy somewhere considerably darker. Titled “The Ghost Ship,” the collection imagined a group of… Read more
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Almée Couture Spring Summer 2027: Cambodia Takes Its Place on the Global Couture Stage
At New York Fashion Week Spring Summer 2027, Almée Couture returned to the international runway with a collection that felt deeply connected to Cambodia while speaking through the language of contemporary couture. Founded in 2024 by Cambodian designer Taing Sokhang, Almée is built around the idea that heritage does not have to remain in the… Read more
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Schiaparelli Spring Summer 2027: Less Spectacle, More Substance
For a house famous for gilded body parts, surrealist accessories and couture that rarely goes unnoticed, Schiaparelli Spring Summer 2027 was surprisingly restrained. Daniel Roseberry called the collection “Going Clean,” and the name reflected a broader attempt to strip away the noise surrounding fashion and return to what he believes ready-to-wear should actually do: offer… Read more
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Dior Spring Summer 2027: Jonathan Anderson Finds Beauty in Imperfection
Jonathan Anderson’s Dior is beginning to develop a personality of its own. For his Spring Summer 2027 collection, presented on the second day of Paris Fashion Week, the designer moved away from the heavier historical references of his earlier work and explored something much lighter: nature, imperfection and movement. Staged at the Tuileries Gardens, the… Read more
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Etro Spring/Summer 2027: A Softer Kind of Bohemia
For Spring/Summer 2027, Etro turned inward, softening the bohemian language that has long defined the house. Called Halo, the collection imagined an Etro woman surrounded by an almost weightless aura of paisleys, flowing fabrics and movement. Rather than reinventing its identity, the house chose to blur it. Etro Spring/Summer 2027 Collection Paisley remained at the… Read more
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Thom Browne Spring/Summer 2027: Tailoring in Metamorphosis
Thom Browne closed New York Fashion Week with a theatrical journey through the insect world. At The Shed, a giant chrysalis stood surrounded by oversized leaves and flowers, immediately shrinking the audience into the perspective of a bug. The collection followed the same transformation: caterpillars became butterflies, while Browne’s familiar tailoring evolved into increasingly surreal… Read more
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Grace Ling Spring/ Summer 2027: Beauty With a Bite
For Spring Summer 2027, Grace Ling returned to New York Fashion Week with Oddities, a collection built around contradictions: masculine and feminine, sensuality and strength, beauty and danger. But rather than treating these opposites as choices, Ling asks why they have to exist separately in the first place. That idea was established from the very… Read more
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Cult Gaia Spring/Summer 2027: Finding Heaven After Grief
Cult Gaia returned to New York Fashion Week with Behesht, Persian for “heaven,” but Jasmin Larian Hekmat’s idea of paradise was far from perfect or untouched. Instead, the Spring 2027 collection was shaped by grief, specifically the loss of her grandmother, Mommy Aghdas, and the idea that beauty can emerge from even the most painful… Read more
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Coach Spring/Summer 2027: Memory, Messiness and the Art of the Party
For its 85th anniversary, Coach did not throw a polished retrospective. Instead, Stuart Vevers turned the milestone into something much more personal: a celebration of memory, nostalgia and the imperfect beauty of things that have been lived in. “I didn’t want to create a retrospective,” Vevers explained, and that idea shaped the entire Spring/Summer 2027… Read more
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Dilara Findikoglu’s Bridal Capsule: A Feminist Reimagining of the Bride
“The sexualization of women is only appealing if it is nonconsensual. Otherwise it’s sluttiness.” At its core, Dilara Findikoglu’s Bride capsule – titled “Wedding Party Capsule” – is a challenge to the social expectations placed on women—and especially on brides. The collection emerges from a feminist belief in bodily autonomy: women should be able to… Read more