Author: Kylie Dang
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Schiaparelli Spring Summer 2027: Less Spectacle, More Substance
For a house famous for gilded body parts, surrealist accessories and couture that rarely goes unnoticed, Schiaparelli Spring Summer 2027 was surprisingly restrained. Daniel Roseberry called the collection “Going Clean,” and the name reflected a broader attempt to strip away the noise surrounding fashion and return to what he believes ready-to-wear should actually do: offer… Read more
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Dior Spring Summer 2027: Jonathan Anderson Finds Beauty in Imperfection
Jonathan Anderson’s Dior is beginning to develop a personality of its own. For his Spring Summer 2027 collection, presented on the second day of Paris Fashion Week, the designer moved away from the heavier historical references of his earlier work and explored something much lighter: nature, imperfection and movement. Staged at the Tuileries Gardens, the… Read more
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Dove Cameron Trades the Wedding Gown for a Giorgio Armani Power Suit
Dove Cameron is rewriting the rules of bridal dressing. For her wedding to Måneskin frontman Damiano David in Tuscany on September 24, the actress stepped away from the traditional white gown and into a custom Giorgio Armani suit. Cameron’s ivory ensemble centred on a sharply tailored, collarless jacket cinched at the waist with a sculptural… Read more
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Etro Spring/Summer 2027: A Softer Kind of Bohemia
For Spring/Summer 2027, Etro turned inward, softening the bohemian language that has long defined the house. Called Halo, the collection imagined an Etro woman surrounded by an almost weightless aura of paisleys, flowing fabrics and movement. Rather than reinventing its identity, the house chose to blur it. Etro Spring/Summer 2027 Collection Paisley remained at the… Read more
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Thom Browne Spring/Summer 2027: Tailoring in Metamorphosis
Thom Browne closed New York Fashion Week with a theatrical journey through the insect world. At The Shed, a giant chrysalis stood surrounded by oversized leaves and flowers, immediately shrinking the audience into the perspective of a bug. The collection followed the same transformation: caterpillars became butterflies, while Browne’s familiar tailoring evolved into increasingly surreal… Read more
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Vogue World: Milano — Where Craft Meets the Future
After travelling from New York to London, Paris and Los Angeles, Vogue World arrived in Milan on September 22, 2026, transforming the historic Galleria Vittorio Emanuele II into a celebration of Italian fashion, craftsmanship and innovation. The choice of Milan felt almost inevitable. The city represents one of fashion’s most interesting contradictions: it is deeply… Read more
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Vogue World 2026: Milano — When Heritage Meets the Future
Ciao, Milano! On September 22, Vogue brought its fifth Vogue World to the Galleria Vittorio Emanuele II, turning Milan’s historic shopping arcade into a theatrical celebration of Italian fashion. Structured around four chapters — The Artisanal Revolution, The Industrial Revolution, Made in Italy and The Age of Intelligence — the show attempted to tell the… Read more
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Vogue World 2026: Milan — The Best-Dressed Arrivals
Ciao, Milano! Vogue World 2026 arrived in Milan, transforming the iconic Galleria Vittorio Emanuele II into a celebration of Italy’s extraordinary influence on fashion. The fifth edition of the event looked across centuries of craftsmanship and innovation, connecting Renaissance embellishment and the Industrial Revolution with the future of Italian fashion houses. Of course, the spectacle… Read more
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Grace Ling Spring/ Summer 2027: Beauty With a Bite
For Spring Summer 2027, Grace Ling returned to New York Fashion Week with Oddities, a collection built around contradictions: masculine and feminine, sensuality and strength, beauty and danger. But rather than treating these opposites as choices, Ling asks why they have to exist separately in the first place. That idea was established from the very… Read more
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Cult Gaia Spring/Summer 2027: Finding Heaven After Grief
Cult Gaia returned to New York Fashion Week with Behesht, Persian for “heaven,” but Jasmin Larian Hekmat’s idea of paradise was far from perfect or untouched. Instead, the Spring 2027 collection was shaped by grief, specifically the loss of her grandmother, Mommy Aghdas, and the idea that beauty can emerge from even the most painful… Read more