Miss Sohee has become synonymous with modern-day couture fantasy. Known for her exquisite craftsmanship, sculptural silhouettes, and ethereal aesthetic, South Korean designer Sohee Park has carved out a distinct space in the world of haute couture. Her designs glide and float with a dreamlike quality, evoking comparisons to Disney princess gowns yet imbued with a refined sophistication. But for Spring 2025, Park takes a bolder approach—one that merges traditional Korean artistry with a newfound edge.
Signature Silhouettes with a Darker Edge
Miss Sohee’s hallmark style is unmistakable: voluminous, Belle-of-the-Ball gowns, corsetry that blends structure with fluidity, and embellishments inspired by nature. “I take inspiration from natural objects like petals or shells,” Park explains. “These shapes are placed onto the body, making the design sculptural while still highlighting feminine curves.”
A key element of her couture craftsmanship is the incorporation of traditional Korean techniques, such as najeonchilgi, an intricate mother-of-pearl inlay method, and Minhwa-inspired embroidery, a nod to Korean folk art. However, for Spring 2025, Park pushes beyond delicate florals and pastel hues, embracing a darker, more avant-garde aesthetic.
The collection introduces unexpected materials like sculpted leather and leather corsetry, adding a layer of edge to her signature romanticism. Coco Rocha opened the show in a striking black leather petal-shaped mini dress paired with a lace bodysuit, setting the tone for a collection that juxtaposed sparkling, coquette-inspired gowns with gothic undertones. “This season, I drew inspiration from very dark themes,” Park said. “Black is a dominant color, harmonizing with soft tones like lilac, dusty pink, and champagne. It’s a more muted palette compared to my past collections.”
The show notes described Park’s vision of “a noblewoman from the Korean Chosun dynasty,” blending historical Korean influences with elements of Western couture. This interplay was evident in the collection’s black velvet gowns, Chantilly lace detailing, and voluminous tailored pieces.
Miss Sohee’s distinct visual language is rooted in her artistic upbringing. Growing up in South Korea, she was influenced by her grandmother’s traditional embroidery and her mother’s work as an artist. “Watching them naturally shaped my creative path,” she said. Initially trained as a painter, she was captivated by haute couture after seeing one of Karl Lagerfeld’s Chanel shows in middle school. This passion led her to London, where she studied at Central Saint Martins and worked under Marc Jacobs on his runway team, gaining firsthand experience in the art of embroidery and fabric manipulation.
Unlike mass-produced ready-to-wear, couture allows Park to cultivate deep, personal relationships with her clients. “Doing couture means meeting incredible clients who believe in my vision and support my work,” she says. “With ready-to-wear, you rarely get to see your customers—it’s not the same experience.” Miss Sohee’s clientele includes celebrities and Middle Eastern royal families, many of whom commission bespoke gowns. Park personally visits them, sketches designs on the spot, and oversees multiple fittings. Some of her wedding dresses take up to a year to create—yet in just two months (November and December 2024), four brides chose Miss Sohee for their special day, a testament to the brand’s growing influence.
As one of the youngest and most visionary designers in haute couture today, Sohee Park is redefining modern femininity through an artistic lens. With her Spring 2025 collection, she proves that couture can be both ethereal and rebellious, rooted in heritage yet forward-thinking. Her ability to fuse traditional Korean craftsmanship with contemporary silhouettes, along with her unwavering focus on couture, sets her apart in an industry increasingly driven by fast fashion. While many brands chase accessibility, Park remains dedicated to the exclusivity and artistry of haute couture.
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