It may have been pouring in London on Friday night, but Richard Quinn created his own dreamscape within the show space—a wintry vision untouched by the weather outside. Under softly falling artificial snow, guests were transported to a whimsical London street, complete with towering Victorian street lamps, evergreen shrubs, and a grand white townhouse tucked behind wrought-iron gates. The elaborate set served not only as a backdrop but as a tribute to the designer’s lifelong love of London, and its grand Edwardian architecture.
This season, Quinn invited us into a moment of calm—a breath held in time—just before a woman steps out the door into the world, dressed to dazzle. “A tribute to the special moments that define our lives,” he called it in the show notes. And that sentiment radiated throughout the collection. In an increasingly casual world, Quinn’s Fall/Winter 2025 lineup was a masterclass in bringing back the elegance of old-school glamour.
From the very first look—a dramatic black-and-white prom-style dress—Quinn made it clear that this was a celebration of fashion’s theatrical side. Two-tone and even three-tone ensembles reigned supreme, from Barbie-pink bows cinching embroidered gowns to dramatic contrasts of velvet and silk in rich jewel tones. One standout: a sleek velvet dress topped with a vivid aqua shawl that recalled classic Hollywood elegance with a playful twist. There were moments of sweetness too. A lemon curd yellow sheath with ’60s flair brought a pop of retro sunshine to the snowy setting, while a mint tulle gown adorned with feathers and a train floated down the runway like a pastel dream. Quinn’s signature attention to embellishment shone through, as café au lait tulle was transformed into glistening ribbons of beadwork, and rosettes, capes, and oversized bows elevated the drama to regal heights.
But the show wasn’t all about fantasy—there was a grounded reverence for fashion history. Quinn’s love for the 1960s took center stage in a series of glittering trapeze dresses, culminating in a truly special runway moment. Penelope Tree, the era’s original it-girl, graced the catwalk in a sparkling shirt dress, styled simply with black tights and flats—a nod to the idea that sometimes, the most powerful style statements are the most restrained. All 49 looks were a visual ode to the joy of dressing up—not just for the occasion, but for the memory. The final chapter of the show was reserved for what Quinn has become increasingly known for: bridal. The last 11 looks channeled the romance of a winter wedding.
And then there were the roses. A recurring motif throughout, they bloomed across the collection both literally and figuratively. Some were sculpted into bows and placed delicately at the waist or neckline, while others adorned prints or appeared as oversized 3D details. The most unforgettable? Look 33—a lush red velvet gown with dramatic off-the-shoulder roses, a true showstopper in a collection full of them.
Richard Quinn’s Fall 2025 wasn’t just a runway—it was a reverie. It reminded us of the beauty in preparation, the romance in tradition, and the joy in going out just to feel fabulous. In a world leaning toward minimalism, Quinn unapologetically made the case for more: more detail, more beauty, more reasons to get dressed.